alan45
07-12-2011, 00:19
Hollyoaks has enjoyed a successful year with memorable storylines including serial killer Silas Blissett's reign of terror, Jacqui and Gilly's rape storyline, the crumbling of the Costello family and Brendan Brady's prison ordeal.
To hear what the future holds for the Channel 4 soap as we head into 2012, Digital Spy recently caught up with the show's new series producer Emma Smithwick for a chat about all things Hollyoaks.
You've been Hollyoaks' series producer for a few months now. How's it all going so far?
"It's going brilliantly, I'm absolutely buzzing. I think the autumn was outstanding and I'm so happy with the material that we've got coming through now. I've been producer for a few months now, but I was here for a while before that as series editor so whilst it's somewhat of a new role, I have been heavily invested in all the storylines that are currently on screen."
What can you tell us about your overall vision for the show?
"I have a very strong idea about the show that I want to make, and a lot of it is coming through already so the viewers will have seen it. I joined Hollyoaks in May which saw the beginning of a lot of the changes that are coming through.
"There have been a lot of new arrivals and through the stories that we're telling and the way we're telling them, we want the audience to really engage with the characters. It definitely takes time but when that happens, it means you can do things with the characters and the viewers will really care. I find the worst thing is when you watch certain shows and something horrendous happens, but you don't really care or know why you should care. Emotional integrity is one of the key things that I want to drive through.
"I also want to use the audience more and get them involved, as we did recently with the Wretch 32 Invasion. I'd like to redefine the way that the viewers can watch a show."
2011 has been a strong year for Hollyoaks but now it feels like a number of successful and long-running stories have ended at the same time, such as Silas's murders, Jacqui/Gilly/Rhys, Jason's transgender, and the Costello affair dramas. Do you have equally big and long-running stories to replace these with next year?
"Definitely. I know there's been varying reactions to sixth formers and the freshers, and we tried to complement the Silas storyline by bringing in those characters alongside it. Those characters have had a bit of a 'soft launch', but certainly at the beginning of next year, we'll be doing a lot of getting to know those characters even more so that we can elevate them and their stories.
"As well as the sixth formers and the freshers, there are a lot of other characters who will have big storylines coming up in 2012. We're certainly not going to drop long-running stories just because a number of them have now culminated - 2012 is going to be a big year."
When will your first episode credited as series producer air?
"It's going to be on Boxing Day - so it's going to be the Doug special."
When do you think your full vision for the show will be reflected on screen?
"It's a tricky question to answer, because it's already started. When I started here, it was at the inception of the new characters and even Abersoch week was one of the first things that I worked on. I've also worked on the culmination of the Silas storyline. I'm so happy with the stuff that is coming through now and coming up in the New Year. It feels like everything is coming together as the show that I envisaged when I started."
A lot of fans seem concerned that the focus of Hollyoaks is shifting towards the younger characters and away from their favourites within the older cast. Can you offer any reassurances over this?
"It would be absolutely ludicrous not to keep a certain amount of focus on favourites like Brendan, Ste and others - there are so many great characters and just because they're 'older' characters obviously doesn't mean that they're old! I think we have four very distinct layers of characters - we've got the sixth formers, we've got the freshers, we've got the 20-somethings and then we've got the older cast with people like Frankie and Jack. They're all just as important as each other when delivering a credible daily drama.
"Also, what we'll be doing a lot of is crossing over stories with unexpected characters. For example, we have a Brendan/Ash crossover coming up. Ash is attracted to bad boys and you don't get much more of a bad boy than Brendan! Her fascination with him will uncover more about his character than I think we have seen in a while. The minute you make those crossovers happen, you get some really interesting stories.
"Another thing I felt was that we had all these women on the show in their late 20s who are young, vibrant, fun and up for a laugh - but they didn't seem to have any friends, which I found really odd. So what we do in the episodes coming up is put them together in quite an unlikely way. Suddenly, you've got all these women who are hilarious when you put them together. I want to do more of that - putting characters together who you wouldn't ordinarily see."
Did the ratings boost for the climax of the Costello and Silas storylines affect your thinking for the type of stories the audience want to see and which characters should be prominent?
"The success of the Silas and Costello plot climaxes didn't change my mind at all, because I never discounted those characters in the first place. What it did was reaffirm to me that the characters were popular and compelling to watch. For me, it's about how we create a show which organically involves both the younger and older characters. They live in a very small village, so we want them to cross paths a lot more than they do."
The new batch of freshers seem to have settled in reasonably well, but it's fair to say that the online reaction to the sixth formers has been negative. Is this something you're aware of and are you working on it?
"I'm definitely aware of it as I read a lot of online feedback. With regards to working on it, sometimes it can be hard to pinpoint why people have certain reactions, and other times it's glaringly obvious. I think the freshers had quite a soft entry into the show, and because Will was quite a well-liked character anyway, we came into that world with him.
"With the sixth formers, they came into the show en masse, so now it's a case of breaking them up and giving them their own stories and sub-stories in order to grow love for them. When I say 'love', you don't always have to like them - some of the best characters are people who you wouldn't want to be friends with! For me, it's all about character development. When you make them really robust characters, then people will be able to form proper opinions on them and that's what I'm hoping for."
To hear what the future holds for the Channel 4 soap as we head into 2012, Digital Spy recently caught up with the show's new series producer Emma Smithwick for a chat about all things Hollyoaks.
You've been Hollyoaks' series producer for a few months now. How's it all going so far?
"It's going brilliantly, I'm absolutely buzzing. I think the autumn was outstanding and I'm so happy with the material that we've got coming through now. I've been producer for a few months now, but I was here for a while before that as series editor so whilst it's somewhat of a new role, I have been heavily invested in all the storylines that are currently on screen."
What can you tell us about your overall vision for the show?
"I have a very strong idea about the show that I want to make, and a lot of it is coming through already so the viewers will have seen it. I joined Hollyoaks in May which saw the beginning of a lot of the changes that are coming through.
"There have been a lot of new arrivals and through the stories that we're telling and the way we're telling them, we want the audience to really engage with the characters. It definitely takes time but when that happens, it means you can do things with the characters and the viewers will really care. I find the worst thing is when you watch certain shows and something horrendous happens, but you don't really care or know why you should care. Emotional integrity is one of the key things that I want to drive through.
"I also want to use the audience more and get them involved, as we did recently with the Wretch 32 Invasion. I'd like to redefine the way that the viewers can watch a show."
2011 has been a strong year for Hollyoaks but now it feels like a number of successful and long-running stories have ended at the same time, such as Silas's murders, Jacqui/Gilly/Rhys, Jason's transgender, and the Costello affair dramas. Do you have equally big and long-running stories to replace these with next year?
"Definitely. I know there's been varying reactions to sixth formers and the freshers, and we tried to complement the Silas storyline by bringing in those characters alongside it. Those characters have had a bit of a 'soft launch', but certainly at the beginning of next year, we'll be doing a lot of getting to know those characters even more so that we can elevate them and their stories.
"As well as the sixth formers and the freshers, there are a lot of other characters who will have big storylines coming up in 2012. We're certainly not going to drop long-running stories just because a number of them have now culminated - 2012 is going to be a big year."
When will your first episode credited as series producer air?
"It's going to be on Boxing Day - so it's going to be the Doug special."
When do you think your full vision for the show will be reflected on screen?
"It's a tricky question to answer, because it's already started. When I started here, it was at the inception of the new characters and even Abersoch week was one of the first things that I worked on. I've also worked on the culmination of the Silas storyline. I'm so happy with the stuff that is coming through now and coming up in the New Year. It feels like everything is coming together as the show that I envisaged when I started."
A lot of fans seem concerned that the focus of Hollyoaks is shifting towards the younger characters and away from their favourites within the older cast. Can you offer any reassurances over this?
"It would be absolutely ludicrous not to keep a certain amount of focus on favourites like Brendan, Ste and others - there are so many great characters and just because they're 'older' characters obviously doesn't mean that they're old! I think we have four very distinct layers of characters - we've got the sixth formers, we've got the freshers, we've got the 20-somethings and then we've got the older cast with people like Frankie and Jack. They're all just as important as each other when delivering a credible daily drama.
"Also, what we'll be doing a lot of is crossing over stories with unexpected characters. For example, we have a Brendan/Ash crossover coming up. Ash is attracted to bad boys and you don't get much more of a bad boy than Brendan! Her fascination with him will uncover more about his character than I think we have seen in a while. The minute you make those crossovers happen, you get some really interesting stories.
"Another thing I felt was that we had all these women on the show in their late 20s who are young, vibrant, fun and up for a laugh - but they didn't seem to have any friends, which I found really odd. So what we do in the episodes coming up is put them together in quite an unlikely way. Suddenly, you've got all these women who are hilarious when you put them together. I want to do more of that - putting characters together who you wouldn't ordinarily see."
Did the ratings boost for the climax of the Costello and Silas storylines affect your thinking for the type of stories the audience want to see and which characters should be prominent?
"The success of the Silas and Costello plot climaxes didn't change my mind at all, because I never discounted those characters in the first place. What it did was reaffirm to me that the characters were popular and compelling to watch. For me, it's about how we create a show which organically involves both the younger and older characters. They live in a very small village, so we want them to cross paths a lot more than they do."
The new batch of freshers seem to have settled in reasonably well, but it's fair to say that the online reaction to the sixth formers has been negative. Is this something you're aware of and are you working on it?
"I'm definitely aware of it as I read a lot of online feedback. With regards to working on it, sometimes it can be hard to pinpoint why people have certain reactions, and other times it's glaringly obvious. I think the freshers had quite a soft entry into the show, and because Will was quite a well-liked character anyway, we came into that world with him.
"With the sixth formers, they came into the show en masse, so now it's a case of breaking them up and giving them their own stories and sub-stories in order to grow love for them. When I say 'love', you don't always have to like them - some of the best characters are people who you wouldn't want to be friends with! For me, it's all about character development. When you make them really robust characters, then people will be able to form proper opinions on them and that's what I'm hoping for."