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Thread: Titanic

  1. #1
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    Cool Titanic

    Titanic
    Episode: 1 of 4
    Sunday, 25 March 2012, 9:00PM - 10:00PM
    Drama


    Titanic is a four part serial created by BAFTA-winning producer Nigel Stafford-Clark (Warriors; The Way We Live Now; Bleak House) and written by Oscar and Emmy winner Julian Fellowes (Gosford Park; Downton Abbey) to mark the hundredth anniversary of the world’s most famous maritime disaster in April 1912. It sets out to tell the story not just of a single ship, but of an entire society – one that was heading towards its own nemesis in the shape of the First World War as carelessly as Titanic towards the iceberg.

    All human life is on Titanic as she sets out on her maiden voyage. The upper-class family with their suffragette daughter and their warring servants; the wealthy elite of American society; the Irish lawyer in Second Class with his embittered wife; the young cabin steward and the impetuous Italian waiter who falls for her; the Catholic engineer fleeing Belfast with his wife and family to escape the sectarian conflict; the mysterious stranger in Steerage fleeing who knows what. And then there are the officers and crew. As their stories interweave and we find our first impressions are often undermined by what we learn, there is one thing that we know for certain and they do not. That not all of them will survive.


    Prologue. We briefly encounter a number of our characters, from all walks of life, as they ready themselves for their fateful voyage on the Titanic.

    London, April 1912. Hugh, Earl of Manton uses his government connections to free his daughter Georgiana, who has been arrested in a suffragette demonstration. To keep her out of trouble, he also uses his influence with Bruce Ismay, chairman of the White Star Line, to obtain a passage for Georgiana on the maiden voyage of the new liner Titanic, accompanying Hugh and his wife Louisa to New York.

    On the train to Southampton the Mantons encounter Irish lawyer John Batley, who works for Hugh’s law firm, and his wife Muriel. They will be travelling in Second Class. Hugh invites them to tea in First Class, although it’s clear that Anglo-Irish aristocrat Louisa and Muriel have taken an instant dislike to each other.

    Southampton, Wednesday 10th April 1912. Amongst those boarding are young Italian crew members Paolo and Mario Sandrini and Irishman Jim Maloney, intent on smuggling his wife Mary and their children into a single steerage cabin to avoid them being split up. That evening the Mantons are served at dinner by Paolo, and joined at their table by Captain Smith and other First Class passengers, including the American multi-millionaire John Jacob Astor and his pregnant young wife, Sir Cosmo and Lady Duff Gordon, film star Dorothy Gibson and the nouveau riche Grace Rushton and her husband.

    Meanwhile their servants, Barnes and Watson, are dining with the other First Class servants in their own dining room, served by the young cabin steward Annie Desmond. There is some friction between the English and American staff, and during some after-dinner horseplay started by Barnes, Watson’s book, a present from her father, is accidentally torn, much to her distress.

    Georgiana is seated at dinner next to the wealthy young American Harry Widener. Later they dance to the popular Autumn Waltz, and despite their differences a mutual attraction is apparent. Jack Thayer, another young American, cuts in and later dances with Dorothy Gibson. When he is ignominiously summoned to bed by his mother, the charming Second Officer Lightoller saves Ms Gibson from any embarrassment by dancing with her himself. Paolo shares an illicit drink with his brother Mario, and narrowly avoids an altercation with the bullying Chief Stoker Billy Blake.

    Sunday 14th April 1912. The Manton’s tea party is not a great success. Muriel asks a pointed question about Hugh’s position on the Irish Home Rule Bill, and the hostility between her and Louisa, coming as they do from opposite ends of the Irish social and political spectrum, could be cut with a knife. However the relationship between Harry and Georgiana is developing as they stroll together on the ship’s deck. Later that night the ship’s designer, Thomas Andrews, is playing cards when he feels a sudden impact. Together with Captain Smith he hurries to investigate. To their horror, a brush with an iceberg has torn a series of gashes in the side of the Titanic that stretch as far as the boiler rooms.

    Sometime later, Hugh and Louisa are awoken by the absence of engine noise. Hugh encounters Lightoller, who advises him to get his family into their lifejackets and up on deck. As they make their way past a crowd of passengers fighting to extract their jewels from the Purser’s office, a chance remark of Louisa’s triggers a violent verbal assault from Muriel, infuriated by her patrician arrogance, in the midst of which Muriel implies that she knows a guilty secret about Hugh.

    The steerage passengers are held below, including Jim and Mary Maloney and their children. On deck the loading of the lifeboats is not going smoothly. Lightoller rigorously enforces the rule of women and children only, and the boats are lowered less than full because of his concerns about their ability to support a full load without splitting whilst being winched down. Paolo and Annie, helping with the evacuation, try in vain to stop the Duff Gordons ordering their boat away with hardly anyone aboard. Grace Rushton refuses to enter a boat at all without her pet dog Suki. Young American mother Bessie Allison has lost her strangely possessive Nanny Alice and baby son Trevor.

    The band leader recognises Georgiana from the dance, and offers to play her favourite tune, the Autumn Waltz. Georgiana spots Nanny Alice descending in a boat with baby Trevor. Louisa refuses to get into a boat with Dorothy Gibson, who is clutching a bottle of brandy. US multi-millionaire Benjamin Guggenheim, having seen off his French mistress, retires with his servant Giglio to the First Class saloon. Hugh and his family cannot find another boat with any spare places, and Hugh upbraids Lightoller for his loading policy, which he says will condemn hundreds of passengers to death. Harry and Georgiana share a brief moment together before he has to bid goodbye to his mother, who is in a boat with the Countess of Rothes and Molly Brown and is desperately anxious for her son.

    Hugh finally locates one of the last of the boats, but Louisa will not leave without him. Georgiana is determined to stay with her parents, but Harry physically lifts her into the boat. As she cries out to her mother, and Hugh pleads with Louisa to save herself for his sake, Louisa is faced with an impossible choice...
    Love many, trust few, always paddle your own canoe

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  5. #3
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    I'm sure this will be very good but I probably won't watch it as I have no desire to see hundreds of people die

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    Downton Abbey at sea

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    There is an ITV player right? Because I want to watch it, but I'm out Sunday.
    Is the ITV player good, if there is still one?

  8. #6
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    Looks awesome, but I do not have ITV wondering if they will perhaps sell a DVD with the series on it ????

  9. #7
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    It's on at the same time as Homeland. I'm going to have to catch one at 10pm. I hate when they do that put two progrrammes on I want to watch on at the ruddy same time,

    Thanks to Vicky for my great new banner xxx
    "Maddest Member again How come I've been taking my meds"

  10. #8
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    Episode: 2 of 4
    Sunday, 1 April 2012, 9:00PM - 10:00PM

    Belfast, March 1912. Workers enter the Harland and Wolff shipyard past angry Protestant Unionists, incensed by the prospect of Irish Home Rule. Inside the yard designer Thomas Andrews and shipyard chairman Lord Pirrie are concerned about slow progress on the fitting out of the new liner Titanic. They talk to electrical engineer Jim Maloney, a middle class Catholic. Maloney needs to recruit his own team with the expertise to get the job done, but they are Catholics and Lord Pirrie is under pressure to get rid of his Catholic workers. Jim despairs at the sectarian divide, and wants to get away from Ireland. Andrews offers him a deal – a steerage passage on Titanic with his family if he gets the wiring done on time. In a meeting with Pirrie and White Star Line chairman Bruce Ismay Andrews expresses his concern that corners are being cut in the construction. Ismay angrily dismisses his assertions.

    Southampton, Tuesday 9th April 1912. After the sea trials, Captain Smith shuffles his crew, causing some confusion as the officers are assigned new duties. The following day, cabin steward Annie Desmond prepares for the first passengers, and encounters newly-recruited Italian waiter Paolo Sandrini. Meanwhile Jim Maloney smuggles his wife Mary and their children into a single steerage cabin to avoid them being split up, facing down steward John Hart to do so. At dinner in First Class, Paolo serves the Mantons’ table, winking at Georgiana. She’s amused, but the Chief Steward is not.

    In steerage, Jim falls into conversation with the taciturn Peter Lubov, another man escaping his past. Jim introduces Lubov to Mary, but her response is uncharacteristically abrupt. Up on deck, Paolo and Annie discuss the passengers in their charge, and she describes the altercation between the servants. Her theory is that Barnes has a soft spot for Watson.

    Sunday 14th April 1912. A mixed group attend the Anglican service which is held in First Class but open to all classes. Lubov attends and deliberately places himself next to Mary Maloney, who moves away. Grace Rushton is horrified by the class mix. Hugh finds it amusing. That evening Lightoller comes across Barnes trying to gain access to steerage, in pursuit of Watson who has made her way down there. Later, Lightoller comes across them together. Watson is in tears, but Barnes tells him it’s merely seasickness. Dressing for dinner in their cabin after the less than successful tea party with the Mantons, Muriel launches a verbal assault on her husband, accusing him of cringing subservience to his English master. Unable to contain her bitterness at his stalled career, which has condemned her to a life in Croydon amongst those she regards as her country’s long time oppressors, she lets him know that she’s aware his loyal service includes acting as a go-between with Hugh’s illegitimate daughter, a secret supposedly unknown to Louisa.

    Jim goes looking for Mary and finds her on the deck. As always she is coping with the vagaries of life, condemned to crowded steerage despite Jim’s skills because of their background. Jim promises her that things will be different in America. On the bridge, Captain Smith wants to maintain a fast pace to arrive in New York early on Titanic’s maiden voyage, but Ismay is against taking any risks. However, after Ismay leaves the bridge Smith instructs his officer of the watch, Murdoch, to keep up the pace despite warnings of icebergs.

    Smith takes a tour, greeting the card-playing Andrews and Dorothy Gibson and finally ending up on deck with a glum John Batley, recovering from the altercation with his wife. Smith wisely leaves him to it, but no sooner has he gone than Batley finds an iceberg towering over him as it scrapes down the side of the ship. Below decks, Smith and Andrews go on their voyage of discovery and we see the full impact of the collision. The extent of the gashes is so long that it will outweigh the buoyancy afforded by Titanic’s compartmentalised design. The supposedly unsinkable ship has only hours to live.

    Whilst the passengers remain oblivious to the danger for the moment, Lightoller is roused and tries to get orders from Smith and his Chief Officer Wilde, but they are both dazed by the enormity of what has happened. Lightoller takes matters into his own hands, organising the evacuation but restricting the numbers in each boat and allowing only women and children to board. Annie tries to help Muriel and John Batley with their lifejackets, although Muriel is more concerned with recovering her jewels. Outside the Purser’s office we experience again Muriel’s attack on Louisa and Hugh, but this time from the point of view of her horrified husband before he drags her away.

    Jim and Mary and their children are being held below decks with their fellow steerage passengers, until Lubov creates a diversion that allows Mary and the children to escape. Lightoller helps a distraught Dorothy Gibson persuade her mother to don a lifejacket. He presses an unwilling Dorothy to take a bottle of brandy with her in case it’s needed for medicinal purposes.

    Meanwhile, Annie and Paolo are trying to bring some order to the chaos, which is only increased when Steward Hart leads a party of steerage passengers up to the deck. Muriel is almost trampled underfoot. Andrews has joined Guggenheim and his valet in the saloon. Despite Lightoller’s urging, they are not planning to go anywhere. John and Muriel struggle unsuccessfully to find a boat, until Muriel slumps down in exhaustion and despair. And then, at their darkest hour, they find a way back to each other.

    Muriel expresses her regret that she has allowed her bitterness to destroy their relationship. John immediately forgives her – she remains the best thing that ever happened in his life. Muriel says that if they can do nothing else they can at least die together, but just then John spies one last boat preparing to launch, and drags Muriel towards it. As they get there to find a group that includes Hugh Manton, Harry Widener and Barnes there is the roaring sound of an approaching wall of water...


    © Copyright ITV plc 2012

  11. #9
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    Quote Originally Posted by Chloe O'brien View Post
    It's on at the same time as Homeland. I'm going to have to catch one at 10pm. I hate when they do that put two progrrammes on I want to watch on at the ruddy same time,
    You can always watch Homeland on 4+1 or the Sunday repeat
    Love many, trust few, always paddle your own canoe

  12. #10
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    Do we really need another drama about the Titanic,is there actually anyone dosen't know the story yet.
    But saying that I might check it out if there's nothing else on.

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